Maars In Kentucky

great gig that you can make in easy was cool EDM mashup , check out this video

How to make a good master with FL Studio

this video explain the difference between MIXING and MASTERING, plus illustrate some basic principles of Maximus Plugin in FLStudio 10 and mastering in general to make your tracks knock and loud as shiddd!

electro pop megamix

DJ TA - Back in town (intro)

kerli - the lucky ones

tao hypah - play the girl

dirty bubs - freak around

dzham - love you

viktor mora - very well captain

remady & manu-l - higher ground

infernal - can't go back

zelany - all the people

jeff nemmett - spectrum

grinee feat terri B! - hurricane

sabrina & samanta fox - call me 2012

september - hands up

AudioSauna - Free Online HQ sinth

 if you want HQ and full free version of sinister 

you need to check out AudioSauna

make you'r own music for free and save it on you'r computer

http://www.audiosauna.com/studio/

Record, Write, Edit and Mix

AudioSauna is a full-featured audio workstation with an easy-to-use and straightforward user interface. It enables using several advanced polyphonic synthesizers, samplers and live effects in real-time in the browser.

• Save and open songs and export song as audio file
• Use your computer's keyboard to record melodies with AudioSauna
• Sequencer with pattern arrange and piano roll modes
• Mixer with level, pan, mute, solo and AUX1 and AUX2 levels
• Built in aux effects: delay and reverb
• Snap to grid

Virtual Analog Synthesizer

AudioSauna's virtual analog synth is a classic two oscillator subtractive synthesizer.

• 2 analog oscillators with amp envelope, SAW, SQUARE, TRIANGLE, SINE and NOISE waveforms.
• Various filter types including LP and HP
• Osc 2 can modulate the Osc 1 with true FM
• ADSR envelopes for amplitude and filter's cutoff
• LFO for amplitude and filter's cutoff with 3 waveforms
• Built in effects: distortion, chorus and bitrate
• Unlimited polyphony, portamento, transpose, 40+ presets

Frequency Modulation Synthesizer

AudioSauna's FM-synth brings the classic 80's sound to the browser!

• 4 sine wave operators with amp envelope
• 8 FM algorithms (based on Yamaha's DX-21)
• Various filter types including LP and HP
• ADSR envelopes for amplitude and filter's cutoff
• LFO for amplitude and filter's cutoff with 3 waveforms
• Built in effects: distortion, chorus and bitrate
• Unlimited polyphony, portamento, transpose, 40+ presets

• Advanced Sampler

  
  AudioSauna's sampler is the most advanced stereo sampler of all the online audio applications.
  • Import mp3 and wav files
  • Layering, key range mapping, auto-mapping
  • Normal and ping-pong looping, reverse
  • Sample start, sample end, loop start, loop end
  • Sample level, pan, transpose, finetune
  • Various filter types including LP and HP
  • ADSR envelopes for amplitude and filter's cutoff
  • LFO for amplitude and filter's cutoff with 3 waveforms
  • Built in effects: distortion, chorus and bitrate
  • Unlimited polyphony, transpose, 40+ presets
  • High quality interpolation
  • 
    

7 tips Becoming A Better DJ

DJ in public 

Always record your mixes

Learn phrase matching

Share your mixes

Listen to other DJs critically

Write stuff down

Practise every day 

more tips on digital dj life website

http://www.digitaldjtips.com/2011/09/7-steps-to-become-a-better-dj/

every beat and beat on the EDM music

every beat and beat on the EDM music

• Drum and Bass averages a BPM of 160-180
  • Oldschool jungle is around 160-170
  • Drum & Bass and Drumstep and Neurofunk 170-180
• Dubstep/Euro Dance/Trance is around 140 BPM
• House varies between 118 and 135 BPM
  • UK garage/2-step is usually between 130-135 BPM
  • UK funky is around 130 BPM
• Techno 120-160 BPM
  • Generally around 120-135
  • Acid Techno 135-150
  • Schranz around 150
• Hardstyle is around 150 BPM
• Trap is around 140 BPM
• Juke/Footwork is around 160 BPM
• Hip Hop is around 80-115 BPM
• Triphop / Downtempo around 90-110 BPM
• Concert marches are typically ~120 BPM.
• Screamers are usually 130-150 BPM
• Largo is 40-60 BPM
• Larghetto is 60-66 BPM
• Adagio is 66-76 BPM
• Andante is 76-108 BPM
• Moderato is 108-120 BPM
• Allegro is 120-168 BPM
• Presto is 168-200 BPM
• Prestissimo is 200+ BPM (These last according to my Sabine Zipbeat.)

How to Write a Good Melody

First, what is a good melody? Well, let's compare it to literature!

Everyone knows that each and every word have their own meaning, if you put them together they can make sentences which can make stories. If you're really good, words can form a good novel. It's exactly the same with tones. Every tone has the potential of making you feel certain emotions, put them together and you they tell you a story through emotions. So whereas words gives tells concrete stories, melodies tell emotional and abstract stories! This is a guide to make them.

1

Be patient! Never expect it's easy to make a good melody! Even a poor, poor pop-song is quite tricky, be extremely careful with going into genres like psychedelic-whatever if you haven't got the drive to take your time with a melody! Remember: Melodies are 100% mind-work (the guitar or the piano won't give you any melodies!) Take your precious time, and let the song develop in your head bit by bit! If you want to make a melody that's both good art, and catchy, then give it at least a month!

1. 2
   Have an experience! Please, don't just make something! The complexity of the emotions are vital in terms of making a solid melody! You need inspiration and experiences to get the right mix of feelings! Something from your life will do, another great source is in fact dreams and nightmares...

1. 3
   Focus on what you like! What sort of music do you like? Ask yourself: What do I want my song to sound like? This gives you a great starting-point!!
2. 4
   Concentrate about emphasizing feelings through sound! Melodies are emotional text, remember? This is why you need an experience!! By the way, don't be afraid of using bottomless sadness in your melody, that's just a good idea!
3. 5
   Try to make that first little tune. Just start somewhere, it's not going to be a legendary song straight away, but it can become one if you just have the drive!! A little advice for starting: Good melodies tends to use a lot of tones in a short period of time!! Try to make something that's not thudding!
4. 6
   Sing the tune to yourself now and then. This process is the main part and helps your brain to find the magic in the tune you have made. The more you do this, the better the melody gets. (NB! Don't sing it out loud, sing it to yourself in your head during this process!)
5. 7
   Let it naturally develop in your mind! Well, this is the result of the last step!
6. 8
   If you got two or three of these tunes, make them merge! Sometimes the tunes sound too equal, but if you put them together you get one great melody, instead of a handful of bad ones!
7. 9
   Try and fail with rhythms and instrument in your head! Trying and failing is 90% of the process, a boring fact, but it pays off!
8. 10
   When it's there, sing it or play it to yourself! Now you know how it sounds like in the real world! Great!!
9. 11
   Give it some lyrics as well! You should do this because you know what sort of word that fits to the melody!! (Of course, we all like instrumentals, but give them some lyrics if you feel that's appropriate)
10. 12
    Obviously, practice makes perfect! Surprise?
11. 13
    Let your dearest ones listen to your song! Not everyone, please, but someone who can give you their honest and constructive opinions!

12. Tips

    • Never give up!! You will improve with practice!!
    • Try to not be artificial!! I know many people like ballads and stuff, but to me it's only the melody that can properly emphasize the emotions!! Remember that when you're making them!
    • Make many melodies, as well as giving it all on each one of them!!

    
    
13. source:
14. http://www.wikihow.com/Write-a-Good-Melody
15.